Ribbon :: English Literature Essays

Ribbon There once was a ribbon. Her name was Ribbon, as plain as the decorative object that she was. Ribbon was very vain and liked to get up every morning from her place in the sewing basket full of odds and ends. Every morning, she would look into the small pink hand mirror that would be lying beside her in the sewing basket. She would see the cutest, most beautiful face in the whole world every morning and was delighted. Then Ribbon would reluctantly stop admiring herself and would begin to get ready for the day ahead of her. Ribbon was a blend of deep blue and light purple. She had sparkly pink edges and felt like China’s best silk when she twirled across your hand. Ribbon usually would be in good spirits everyday, but there was somebody she loathed. Her name was Scissors and liked to tease Ribbon about her extravagant looks. Scissors would say, â€Å"Ribbon, you should start being like me. I am everyone’s role model. I can take care of myself with these strong, but fashionable, blades†¦unlike your limp, weak material. Also my eyes are so big I can see everything!† â€Å"Yeah, but too bad you can’t see that I look better than you even if I can’t protect myself you oversized piece of scrap metal!†, Ribbon would snap back. Ribbon would get so angry, she would turn a bright red all over and start arguing or crying. That day, this sort of feud happened between the two again and the whole sewing basket complained of the racket. Oddball the ragged string would come out of his little pile of odds and ends to yell back at Ribbon and Scissors to â€Å"shut up.† Oddball complained, â€Å"I’m working on deciphering a code in this map I found the other day. Stop bothering me, or u two will regret it.† Then Ribbon became curious, stopped babbling, and asked, â€Å"What map? Is it the one that the kids found yesterday? Is your map the one that the kids put into our sewing basket and forgot about it?† â€Å"One and the same. The location of the buried treasure is very far, but a few days by boat should get us there. Unfortunately, I’m too old to go on these types of expeditions. Forget it then.† said, Oddball. â€Å"Treasure? Real buried treasure? With pirate gold and jewels the size of frying pans?

Gustav von Aschenbachs Death in Venice Essay -- Thomas Mann Literatur

Gustav von Aschenbach's Death in Venice Prior to his encounter with Tadzio, Gustav von Aschenbach in "Death in Venice" is not an artist to be creatively inspired by sensuous beauty. Rather, his motivation derives from a desire to be accepted and appreciated by his audience, his "whole soul, from the very beginning, [being] bent on fame." [1] Nor does Aschenbach create in moments of ecstasy: being called to the constant tension of his career, not actually born to it (9), he is able to write only through rigid isolation and self-discipline. But though he is able thereby to win "the adhesion of the general public and the admiration, both sympathetic and stimulating, of the connoisseur" (9), Aschenbach reaches a creative impasse, getting "no joy of [his work]-- not though a nation paid it homage" (7). And, one day, unable to check the motus animus continuus or source of eloquence within him, be wanders to the North Cemetery where be encounters a mysterious vagabond; and then, impelled to travel further, journeys to Pola and f inally to Venice. On the steamer to Venice, Aschenbach asks his "own weary heart if a new enthusiasm, a new preoccupation, some late adventure of the feeling could be in store for the idle traveler" (19). He finds a positive answer in the person of Tadzio, the strikingly beautiful Polish boy with whom be becomes increasingly infatuated to the extent that he is unwilling to leave Venice despite its ominous forebodings. At the end of the novella's third chapter, Aschenbach, realizing that leaving Venice is too difficult "for Tadzio's sake" ( 40), forsakes his4C closed fist" discipline and surrenders to his growing passions; the fourth chapter culminates in his confession "of love and longing" for Tadzio. In ... ... Erich, The Ironic German: A Study of Thomas Mann (Boston: Little, Brown and Co., 1958). Heller, Peter, "Thomas Mann's Conception of the Creative Writer," PMLA, 69 (September 1954), 764. Mann, Thomas, "Death in Venice" and Other Stories, trans. H. T. Lowe-Porter, (New York: Vintage). Mann, Thomas, Letters of Thomas Mann, selected and translated by Richard and Clara Winston, (New York: Knopf, 1971). Plato, Phaedrus, trans. R. Hackforth, in Edith Hamilton and Huntington Cairns, eds. The Collected Dialogues of Plato (New York: Pantheon, 1966). Rey, W., '"Tragic Aspects of the Artist in Thomas Mann's Works," Modern Language Quarterly, 19 (September 1958). Rosenthal, M. L. "The Corruption of Aschenbach," The University of Kansas Review, 14 (1947), Traschen, Isadore, "The Use of Myth in 'Death in Venice,"' Modern Fiction Studies, 11 (Summer 1965).

Robert Frost

Robert Frost has been described as an ordinary man with a deep respect for nature, talking to ordinary people. To what extent do you agree with this view? Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person.The poems â€Å"Stopping by Woods on a Snowy Evening’ and â€Å"The mending wall† strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people. On the surface, â€Å"Stopping By Woods on a Snowy Evening† deals with a seemingly unimportant event, of the poet stopping one winter evening, mesmerised by the snow and the wood. However, at a figurative level, the poem goes deeper dealing with the concept of the choices that people make in life. The poem is set in a rural area, with merely an implication of the city in â€Å"his house is in the village†.This setting choice as well as stanza 1, which tells of the poet stopping to â€Å"watch his woods fill up with snow†, creates a strong image of nature being a predominant feature of this poem. The first stanza also creates a contrast between the poet and the owner of the woods who is presumably a ‘sensible’ person staying warm in his house. This raises the question of why the poet has stopped in such cold weather. Hence, this contrast serves as a metaphor that provides a link back to the concept of the poem, as it may speak of his choice to be involved with life, rather than choosing ‘comfortable withdrawal’ [‘Poetry of Robert Frost’].The poem continues contrasting the poet with his horse, Frost personifying the latter in â€Å"My little horse must think it queer/ To stop without a farmhouse near†. This meta phor shows that even the persona acknowledges, through his horse, that others may not make sense of the choice he has made to continue his journey on the â€Å"darkest evening of the year†. However, the responder is able to get a sense of what the persona is so entranced by in the third stanza, where there is a beauty in the woods as the â€Å"The only other sound’s the sweep/ Of easy wind and downy flake†.The assonance of the letter ‘o’ in this creates a soft, dream-like tone, which emphasises the poet’s captivation by the scenery. The final stanza expands on this, opening with â€Å"The woods are lovely, dark and deep†. The use of the word â€Å"lovely† reinforces the beauty of the woods, but the alliteration of the letter ‘d’ creates a heavy tone which may indicate that they could be perilous. For the poet, these words could mean that for him the woods represent escapism and irrationality.Due the allure that the woods clearly have over the poet, he is faced with a choice at the end of the poem- to stay and enter the â€Å"woods† or to continue on his journey in life. He makes his choice clear in the final lines of the last stanza saying â€Å"But I have promises to keep/ And miles to go before I sleep/ And miles to go before I sleep†. His choice is clear through the use of the word â€Å"but† and the repetition of the final two lines emphasises that it is ‘life and personal involvement that he chooses, rather than withdrawal and death’ [‘Poetry of Robert Frost’].Hence, Frost effectively juxtaposes the gentle attractiveness of the woods with the clear call to journey on and fulfil promises. Throughout this poem, Frost uses much of the imagery of the natural environment to ‘enhance the aural and visual impact of the poem’ [Common Poetry, Robert Frost], and deals with a concept that is faced ‘ordinary people’ everyday- th at of making a choice to go on in life even when it is so appealing to simply go into the â€Å"dark and deep†.Therefore, this poem illuminates Frosts’ respect for nature as well as his ability to speak to ordinary people. This ability is also conveyed in ‘Mending Wall’, a one stanza poem that explores Frost’s ideas about the barriers’ that exist in relationships. Literally, the poem is about two neighbours who disagree about the need of building a wall to separate their properties. However, when the responders’ delves deeper into the poem, it is clear that at a allegorical level the wall is a metaphor representing the barrier that exists in the neighbours’ friendship.The first eleven lines of the poem if rife with imagery that describes the dilapidation of the wall. The first line of the poem emphasises that â€Å"something† exists that â€Å"doesn’t love a wall†. This personification makes the â€Å"somet hing† seem human-like. The use of words such as â€Å"spills† and â€Å"makes gaps† convey an image of animate actions and create a vivid impression of the degradation of the wall. Nature, presented in the form of cold weather, frost and the activities of creatures, also seeks to destroy the wall.The idea that walls are unnatural and therefore nature abhors walls is portrayed in the phrase â€Å"makes gaps even two can pass abreast†, which metaphorically indicates that nature desires for man to walk side by side with no barrier between them. When the two meet to fix the wall, it is a metaphor that could be interpreted as the two repairing their friendship as â€Å"To each the boulders have fallen to each† which shows that faults in their relationship lie on behalf of them both.While they are mending the wall, a light-hearted tone is established. This is shown through the inclusion of the metaphor â€Å"spring is mischief in me† which shows th e neighbours having fun together in repairing the wall, creating a cheerful atmosphere. This creates an ironic feel to the poem, as although the beginning of the poem presented negativity to erecting the wall, mending the wall is allowing the neighbours to spend more time together and hence strengthening their communication and friendship.Despite this, the narrator continues to question the purpose of the wall. To portray this, there is a repetition of â€Å"something there is that doesn’t love a wall†, which emphasises that-like nature- the narrator wants the wall to be taken down. However, the neighbour who is described using the simile â€Å"like an old-stone savage† and thus could be a representation of society which is also rigid in its views, only replies with â€Å"Good fences make good neighbours†.There is a repetition of this statement throughout the poem, which effectively asserts the opinion that society adopts in regards to ‘barriersâ₠¬â„¢ between people: that although people can be close friends, for a successful relationship there will always be a barrier in between them, acting as a boundary that grants privacy and security. Like many of his other poems, Frost once again shows his respect for nature in this poem through his portrayal of it as a sort of body that only wills harmony and friendship among all.He also succeeds in speaking to ordinary people through his exploration of such a universal matter, that impacts upon each human’s life everyday- that of the perpetual metaphorical wall that is present in relationships. In conclusion, â€Å"Stopping by Woods on a Snowy Evening† and â€Å"Mending Wall† are poems that use nature to epitomise what the poet is trying to portray and deal with concepts that have a personal meaning to every single responder. Hence, it can be said that Frost indeed had a deep respect for nature and spoke to ordinary people. Robert Frost A Snowy Evening with Robert Frost Robert Frost once said, â€Å"It begins as a lump in the throat, a sense of wrong, a homesickness, a loneliness. It is never a thought to begin with. It is at best when it is a tantalizing vagueness. † (â€Å"Poetry Foundation† n. d. ). This poem holds a lot of mystery in its meaning which has a variety of interpretations. John T. Ogilvie who wrote, â€Å"From Woods to Stars: A pattern of Imagery in Robert Frost’s Poetry† interprets this as a poem about the journey through life. James G. Hepburn who wrote, â€Å"Robert Frost and His Critics† took a different approach.He believes this poem to be about the aesthetics and moral action. This poem contains a variety of literary devices that not only describe the scenery but also the scene itself. Despite its critics who believe this poem to be about the scenery and moral action, Robert Frost’s poem is best understood as a journey through life, because its literary design allows many to have interpreted it this way. â€Å"To watch his woods fill up with snow† â€Å"To stop without a farm house near/ Between the woods and frozen lake/ The darkest evening of the year. † â€Å"The only other sound’s the sweep/ Of easy wind and downy flake. â€Å"The woods are lovely, dark and deep,† (842-843). The description of the woods is seductive because of the rhyme scheme, AABA/BBCB/CCDC/DDDD. Robert Frost has made comments about the form of this poem, â€Å"a series of almost reckless commitments I feel good in having guarded it so. [It is]†¦my heavy duty poem to be examined for the rime pairs. † (Frost on Stopping by Woods N. D. ). The English language is not as rhyme friendly as other languages such as Italian or French. The English language is a melting pot of many different languages limiting the amount of words that rhyme.As John Ciardi says, â€Å"In ‘Stopping by Woods on a Snowy Evening’ Frost took a long chance. He decided to rhyme not two lines, but three in each stanza. Not even Frost could have sustained that much rhyme in a long poem. † (Ciardi, How Does a Poem Mean? ). This allows the reader to be hypnotized by the rhythm Frost has created. By repeating the ‘o’ sound, ‘though’ also starts the series of rhymes that will soon get the better of the reader. For example this is seen clearly in the opening lines of the poem, â€Å"Whose woods these are I think I know. His house is in the village though; / He will not see me stopping here/ to watch his woods fill up with snow/. † (842). As the reader begins to recognize the pattern of the poem it guides them into the same drowsy feeling as the narrator is experiencing. James G. Hepburn, who wrote â€Å"Robert Frost and His Critics,† says, â€Å"Each of the first three stanzas begins flatly; each rises, with the last line or two lines, towards the spell; but not until the end of the third stanza is the rise powerful, and not until the opening of the fourth and final stanza is the rise sustained rather than broken. So from the above lines and evidence we can interpret these lines as follows. The narrator is most likely returning home from some errand that took him far away from his home. He is riding his horse late at night or late day and has stumbled upon some beautiful scenery. This is when he decides to stop and take in everything that he is seeing. When the narrator first stopped in the woods he has a good idea of whose land this is, which is stated in the first two lines. Rueben A.Bower who wrote, â€Å"The Poetry of Robert Frost: Constellations of Intention† says, â€Å"The very tentative tone of the opening line lets us into the mood without quite sensing where it will lead, just as the ordinariness of ‘though’ at the end of the second line assures us that we are in the world. † Robert Frost did not start this poem with the magical whimsy of the woods but instead with the mood they contain (Hepburn 1962) â€Å"Whose woods these are I think I know. / His house is in the village though; / He will not see me stopping here/ to watch his woods fill up with snow/. (842). By doing this he allows the reader to have a better understanding of why the narrator would stop to look upon this beautiful scenery. As Hepburn says in his article, â€Å"Robert Frost and His Critics† â€Å"The mood that the poem induces in the reader nullifies his acceptance of the intention expressed by the traveler. The sum of the reader’s experience of the poem is different from the meaning of the traveler’s experience of the woods. Presumably the traveler goes home to supper, to his duties, and to the rest of his journey through life; but these things are not the poem. Frost made some comments on the factors mood plays in a poem, â€Å"†¦ the poet’s intention is of course a particular mood that w on’t be satisfied with anything less than its own fulfillment. † (Hepburn 1962). This poem isn’t a recreated experience but meant to be an experience in itself. This poem has some interesting symbolism in it takes us on a journey through a man’s life. When the narrator first stops, instead of questioning himself, he questions what the horse thinks, â€Å"My little horse must think it queer† (842).By questioning the horse, he is really questioning his own reasons, which people often do while they make life decisions or everyday decisions. The horse is also a symbol of time the horse is questioning his stopping and urges him to move on to prevent the further loss of time (Anonymous). When the narrator’s horse shakes his harness bells, he then becomes a symbol, as John Ciardi thinks, â€Å".. order of life that does not understand why a man stops in the winter middle of nowhere to watch snow come down. † The horse is the will power persis tent in the subconscious of a man.The horse urges him to get back to his business by the shake of his harness bells which is indirectly contrast the narrator who would like to stay in the woods. Even though his horse is urging him to be responsible he continues to be enticed by the soft lull of the woods just like the reader is. For example, â€Å"He gives his harness bells a shake/ To ask if there is some mistake. † (842). The sound of the horses harness bells is contrasting against the sounds of the woods described as, â€Å"The only other sound’s the sweep/ Of easy wind and downy flake. (843). This is the woods contradicting the symbolism of the horse making their presence relevant. In life there are often two main choices to be made. Similar to this poem the narrator can either stay in the woods or go back to his everyday life. The speaker is going ahead and his ‘sleep’ may be the symbol for the end of his life. The journey in this poem turns out to b e more complicated than the life of an average man. The darkness of the woods is symbolic of the ‘easy’ way out or the path people before him have taken.The wind and downy flakes also have a similar symbolism. While the flakes appear to be soft, they are also cold which is less forgiving. The reader and the narrator share all of the experiences together as the poem goes on. For example, the line â€Å"The darkest evening of the year. † (842) is a correlation between life and the obligations he is carrying. This line also adds an unbroken curve of rhythm. As Ruben A. Bower (1963) goes on to explain, it adds to the sense of moving into a spell-world.We note the linking rhymes that tie in with the first stanza. Different symbols in this poem though reveal that stop in the poem could be referring to death or the journey through life. In this phrase â€Å"Between the woods and frozen lake†, the wood becomes a symbol of life while the frozen lake signifies death . When the speaker reaches the woods, he finds a world offering perfect, quiet and solitude, existing side by side with the realization that there is also another world, a world of people and social obligation. Both worlds have a claim on the poet.He stops by the wood on this â€Å"darkest evening of the year† to watch them â€Å"fill up with snow†, and remains there so long that his â€Å"little horse† shakes his â€Å"harness bells† to ask if there is â€Å"some mistake† (842). That little horse’s action reminds him of the â€Å"promises† he has to keep and the miles he still has to travel. (843). The theme of this poem is a journey, and not simply a journey through the woods but through life itself. There is an expectant tone throughout the poem. The narrator stops for a brief time to meditate and realizes he needs to continue on his journey through the woods and his journey through life.This poem also has a â€Å"romantic† theme as well as subject. Again the speaker is returning home and stops to take in the beautiful scenery. As the urgency to move on becomes more apparent the narrator begins to regret that he must leave. The narrator is romanticizing what he is passing which is time and pleasure. â€Å"He gives his harness bells a shake/ To ask if there is some mistake. / The only other sound’s the sweep/ Of easy wind and downy flake. † (842-843). For example, the words â€Å"lovely† â€Å"snow† â€Å"lake† â€Å"evening† and â€Å"easy wind and downy flake† (840-843) are all romantic in nature.Also the way the narrator talks about nature makes the loving relationship he has with it a romantic notion. â€Å"The only other sound’s the sweep/ Of easy wind and downy flake. † (843). It is also seen in this line, â€Å"To watch his woods fill up with snow. / †¦ Between the woods and frozen lake/ The darkest evening of the year. † (842). As Jeffrey Meyers says, â€Å"The theme of â€Å"Stopping by Woods†Ã¢â‚¬â€œdespite Frost's disclaimer–is the temptation of death, even suicide, symbolized by the woods that are filling up with snow on the darkest evening of the year.The speaker is powerfully drawn to these woods and–like Hans Castorp in the â€Å"Snow' chapter of Mann's  Magic Mountain–wants to lie down and let the snow cover and bury him. The third quatrain, with its drowsy, dream-like line: â€Å"Of easy wind and downy flake,† opposes the horse's instinctive urge for home with the man's subconscious desire for death in the dark, snowy woods. The speaker says, â€Å"The woods are lovely, dark and deep,† but he resists their morbid attraction. † (Meyers 1996).The journey threw life and the temptations of death and the peace it may bring some individuals is the theme of this poem. Although some may not agree with this interpretation of Robert Frost â€Å"Sto pping by Woods on a Snowy Evening† like James G. Hepburn who thinks, â€Å"This poem is a tribute to the New England sense of duty.. † (Hepburn 1962). But as you have seen this poem is about a journey through life. The way the poem uses literary tactics lead us to this very specific interpretation. As Robert Frost once said, â€Å"A poem begins in delight and ends in wisdom. † (Frost on Stopping by Woods N. D. ). Robert Frost A Snowy Evening with Robert Frost Robert Frost once said, â€Å"It begins as a lump in the throat, a sense of wrong, a homesickness, a loneliness. It is never a thought to begin with. It is at best when it is a tantalizing vagueness. † (â€Å"Poetry Foundation† n. d. ). This poem holds a lot of mystery in its meaning which has a variety of interpretations. John T. Ogilvie who wrote, â€Å"From Woods to Stars: A pattern of Imagery in Robert Frost’s Poetry† interprets this as a poem about the journey through life. James G. Hepburn who wrote, â€Å"Robert Frost and His Critics† took a different approach.He believes this poem to be about the aesthetics and moral action. This poem contains a variety of literary devices that not only describe the scenery but also the scene itself. Despite its critics who believe this poem to be about the scenery and moral action, Robert Frost’s poem is best understood as a journey through life, because its literary design allows many to have interpreted it this way. â€Å"To watch his woods fill up with snow† â€Å"To stop without a farm house near/ Between the woods and frozen lake/ The darkest evening of the year. † â€Å"The only other sound’s the sweep/ Of easy wind and downy flake. â€Å"The woods are lovely, dark and deep,† (842-843). The description of the woods is seductive because of the rhyme scheme, AABA/BBCB/CCDC/DDDD. Robert Frost has made comments about the form of this poem, â€Å"a series of almost reckless commitments I feel good in having guarded it so. [It is]†¦my heavy duty poem to be examined for the rime pairs. † (Frost on Stopping by Woods N. D. ). The English language is not as rhyme friendly as other languages such as Italian or French. The English language is a melting pot of many different languages limiting the amount of words that rhyme.As John Ciardi says, â€Å"In ‘Stopping by Woods on a Snowy Evening’ Frost took a long chance. He decided to rhyme not two lines, but three in each stanza. Not even Frost could have sustained that much rhyme in a long poem. † (Ciardi, How Does a Poem Mean? ). This allows the reader to be hypnotized by the rhythm Frost has created. By repeating the ‘o’ sound, ‘though’ also starts the series of rhymes that will soon get the better of the reader. For example this is seen clearly in the opening lines of the poem, â€Å"Whose woods these are I think I know. His house is in the village though; / He will not see me stopping here/ to watch his woods fill up with snow/. † (842). As the reader begins to recognize the pattern of the poem it guides them into the same drowsy feeling as the narrator is experiencing. James G. Hepburn, who wrote â€Å"Robert Frost and His Critics,† says, â€Å"Each of the first three stanzas begins flatly; each rises, with the last line or two lines, towards the spell; but not until the end of the third stanza is the rise powerful, and not until the opening of the fourth and final stanza is the rise sustained rather than broken. So from the above lines and evidence we can interpret these lines as follows. The narrator is most likely returning home from some errand that took him far away from his home. He is riding his horse late at night or late day and has stumbled upon some beautiful scenery. This is when he decides to stop and take in everything that he is seeing. When the narrator first stopped in the woods he has a good idea of whose land this is, which is stated in the first two lines. Rueben A.Bower who wrote, â€Å"The Poetry of Robert Frost: Constellations of Intention† says, â€Å"The very tentative tone of the opening line lets us into the mood without quite sensing where it will lead, just as the ordinariness of ‘though’ at the end of the second line assures us that we are in the world. † Robert Frost did not start this poem with the magical whimsy of the woods but instead with the mood they contain (Hepburn 1962) â€Å"Whose woods these are I think I know. / His house is in the village though; / He will not see me stopping here/ to watch his woods fill up with snow/. (842). By doing this he allows the reader to have a better understanding of why the narrator would stop to look upon this beautiful scenery. As Hepburn says in his article, â€Å"Robert Frost and His Critics† â€Å"The mood that the poem induces in the reader nullifies his acceptance of the intention expressed by the traveler. The sum of the reader’s experience of the poem is different from the meaning of the traveler’s experience of the woods. Presumably the traveler goes home to supper, to his duties, and to the rest of his journey through life; but these things are not the poem. Frost made some comments on the factors mood plays in a poem, â€Å"†¦ the poet’s intention is of course a particular mood that w on’t be satisfied with anything less than its own fulfillment. † (Hepburn 1962). This poem isn’t a recreated experience but meant to be an experience in itself. This poem has some interesting symbolism in it takes us on a journey through a man’s life. When the narrator first stops, instead of questioning himself, he questions what the horse thinks, â€Å"My little horse must think it queer† (842).By questioning the horse, he is really questioning his own reasons, which people often do while they make life decisions or everyday decisions. The horse is also a symbol of time the horse is questioning his stopping and urges him to move on to prevent the further loss of time (Anonymous). When the narrator’s horse shakes his harness bells, he then becomes a symbol, as John Ciardi thinks, â€Å".. order of life that does not understand why a man stops in the winter middle of nowhere to watch snow come down. † The horse is the will power persis tent in the subconscious of a man.The horse urges him to get back to his business by the shake of his harness bells which is indirectly contrast the narrator who would like to stay in the woods. Even though his horse is urging him to be responsible he continues to be enticed by the soft lull of the woods just like the reader is. For example, â€Å"He gives his harness bells a shake/ To ask if there is some mistake. † (842). The sound of the horses harness bells is contrasting against the sounds of the woods described as, â€Å"The only other sound’s the sweep/ Of easy wind and downy flake. (843). This is the woods contradicting the symbolism of the horse making their presence relevant. In life there are often two main choices to be made. Similar to this poem the narrator can either stay in the woods or go back to his everyday life. The speaker is going ahead and his ‘sleep’ may be the symbol for the end of his life. The journey in this poem turns out to b e more complicated than the life of an average man. The darkness of the woods is symbolic of the ‘easy’ way out or the path people before him have taken.The wind and downy flakes also have a similar symbolism. While the flakes appear to be soft, they are also cold which is less forgiving. The reader and the narrator share all of the experiences together as the poem goes on. For example, the line â€Å"The darkest evening of the year. † (842) is a correlation between life and the obligations he is carrying. This line also adds an unbroken curve of rhythm. As Ruben A. Bower (1963) goes on to explain, it adds to the sense of moving into a spell-world.We note the linking rhymes that tie in with the first stanza. Different symbols in this poem though reveal that stop in the poem could be referring to death or the journey through life. In this phrase â€Å"Between the woods and frozen lake†, the wood becomes a symbol of life while the frozen lake signifies death . When the speaker reaches the woods, he finds a world offering perfect, quiet and solitude, existing side by side with the realization that there is also another world, a world of people and social obligation. Both worlds have a claim on the poet.He stops by the wood on this â€Å"darkest evening of the year† to watch them â€Å"fill up with snow†, and remains there so long that his â€Å"little horse† shakes his â€Å"harness bells† to ask if there is â€Å"some mistake† (842). That little horse’s action reminds him of the â€Å"promises† he has to keep and the miles he still has to travel. (843). The theme of this poem is a journey, and not simply a journey through the woods but through life itself. There is an expectant tone throughout the poem. The narrator stops for a brief time to meditate and realizes he needs to continue on his journey through the woods and his journey through life.This poem also has a â€Å"romantic† theme as well as subject. Again the speaker is returning home and stops to take in the beautiful scenery. As the urgency to move on becomes more apparent the narrator begins to regret that he must leave. The narrator is romanticizing what he is passing which is time and pleasure. â€Å"He gives his harness bells a shake/ To ask if there is some mistake. / The only other sound’s the sweep/ Of easy wind and downy flake. † (842-843). For example, the words â€Å"lovely† â€Å"snow† â€Å"lake† â€Å"evening† and â€Å"easy wind and downy flake† (840-843) are all romantic in nature.Also the way the narrator talks about nature makes the loving relationship he has with it a romantic notion. â€Å"The only other sound’s the sweep/ Of easy wind and downy flake. † (843). It is also seen in this line, â€Å"To watch his woods fill up with snow. / †¦ Between the woods and frozen lake/ The darkest evening of the year. † (842). As Jeffrey Meyers says, â€Å"The theme of â€Å"Stopping by Woods†Ã¢â‚¬â€œdespite Frost's disclaimer–is the temptation of death, even suicide, symbolized by the woods that are filling up with snow on the darkest evening of the year.The speaker is powerfully drawn to these woods and–like Hans Castorp in the â€Å"Snow' chapter of Mann's  Magic Mountain–wants to lie down and let the snow cover and bury him. The third quatrain, with its drowsy, dream-like line: â€Å"Of easy wind and downy flake,† opposes the horse's instinctive urge for home with the man's subconscious desire for death in the dark, snowy woods. The speaker says, â€Å"The woods are lovely, dark and deep,† but he resists their morbid attraction. † (Meyers 1996).The journey threw life and the temptations of death and the peace it may bring some individuals is the theme of this poem. Although some may not agree with this interpretation of Robert Frost â€Å"Sto pping by Woods on a Snowy Evening† like James G. Hepburn who thinks, â€Å"This poem is a tribute to the New England sense of duty.. † (Hepburn 1962). But as you have seen this poem is about a journey through life. The way the poem uses literary tactics lead us to this very specific interpretation. As Robert Frost once said, â€Å"A poem begins in delight and ends in wisdom. † (Frost on Stopping by Woods N. D. ). Robert Frost Robert Frost has been described as an ordinary man with a deep respect for nature, talking to ordinary people. To what extent do you agree with this view? Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person.The poems â€Å"Stopping by Woods on a Snowy Evening’ and â€Å"The mending wall† strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people. On the surface, â€Å"Stopping By Woods on a Snowy Evening† deals with a seemingly unimportant event, of the poet stopping one winter evening, mesmerised by the snow and the wood. However, at a figurative level, the poem goes deeper dealing with the concept of the choices that people make in life. The poem is set in a rural area, with merely an implication of the city in â€Å"his house is in the village†.This setting choice as well as stanza 1, which tells of the poet stopping to â€Å"watch his woods fill up with snow†, creates a strong image of nature being a predominant feature of this poem. The first stanza also creates a contrast between the poet and the owner of the woods who is presumably a ‘sensible’ person staying warm in his house. This raises the question of why the poet has stopped in such cold weather. Hence, this contrast serves as a metaphor that provides a link back to the concept of the poem, as it may speak of his choice to be involved with life, rather than choosing ‘comfortable withdrawal’ [‘Poetry of Robert Frost’].The poem continues contrasting the poet with his horse, Frost personifying the latter in â€Å"My little horse must think it queer/ To stop without a farmhouse near†. This meta phor shows that even the persona acknowledges, through his horse, that others may not make sense of the choice he has made to continue his journey on the â€Å"darkest evening of the year†. However, the responder is able to get a sense of what the persona is so entranced by in the third stanza, where there is a beauty in the woods as the â€Å"The only other sound’s the sweep/ Of easy wind and downy flake†.The assonance of the letter ‘o’ in this creates a soft, dream-like tone, which emphasises the poet’s captivation by the scenery. The final stanza expands on this, opening with â€Å"The woods are lovely, dark and deep†. The use of the word â€Å"lovely† reinforces the beauty of the woods, but the alliteration of the letter ‘d’ creates a heavy tone which may indicate that they could be perilous. For the poet, these words could mean that for him the woods represent escapism and irrationality.Due the allure that the woods clearly have over the poet, he is faced with a choice at the end of the poem- to stay and enter the â€Å"woods† or to continue on his journey in life. He makes his choice clear in the final lines of the last stanza saying â€Å"But I have promises to keep/ And miles to go before I sleep/ And miles to go before I sleep†. His choice is clear through the use of the word â€Å"but† and the repetition of the final two lines emphasises that it is ‘life and personal involvement that he chooses, rather than withdrawal and death’ [‘Poetry of Robert Frost’].Hence, Frost effectively juxtaposes the gentle attractiveness of the woods with the clear call to journey on and fulfil promises. Throughout this poem, Frost uses much of the imagery of the natural environment to ‘enhance the aural and visual impact of the poem’ [Common Poetry, Robert Frost], and deals with a concept that is faced ‘ordinary people’ everyday- th at of making a choice to go on in life even when it is so appealing to simply go into the â€Å"dark and deep†.Therefore, this poem illuminates Frosts’ respect for nature as well as his ability to speak to ordinary people. This ability is also conveyed in ‘Mending Wall’, a one stanza poem that explores Frost’s ideas about the barriers’ that exist in relationships. Literally, the poem is about two neighbours who disagree about the need of building a wall to separate their properties. However, when the responders’ delves deeper into the poem, it is clear that at a allegorical level the wall is a metaphor representing the barrier that exists in the neighbours’ friendship.The first eleven lines of the poem if rife with imagery that describes the dilapidation of the wall. The first line of the poem emphasises that â€Å"something† exists that â€Å"doesn’t love a wall†. This personification makes the â€Å"somet hing† seem human-like. The use of words such as â€Å"spills† and â€Å"makes gaps† convey an image of animate actions and create a vivid impression of the degradation of the wall. Nature, presented in the form of cold weather, frost and the activities of creatures, also seeks to destroy the wall.The idea that walls are unnatural and therefore nature abhors walls is portrayed in the phrase â€Å"makes gaps even two can pass abreast†, which metaphorically indicates that nature desires for man to walk side by side with no barrier between them. When the two meet to fix the wall, it is a metaphor that could be interpreted as the two repairing their friendship as â€Å"To each the boulders have fallen to each† which shows that faults in their relationship lie on behalf of them both.While they are mending the wall, a light-hearted tone is established. This is shown through the inclusion of the metaphor â€Å"spring is mischief in me† which shows th e neighbours having fun together in repairing the wall, creating a cheerful atmosphere. This creates an ironic feel to the poem, as although the beginning of the poem presented negativity to erecting the wall, mending the wall is allowing the neighbours to spend more time together and hence strengthening their communication and friendship.Despite this, the narrator continues to question the purpose of the wall. To portray this, there is a repetition of â€Å"something there is that doesn’t love a wall†, which emphasises that-like nature- the narrator wants the wall to be taken down. However, the neighbour who is described using the simile â€Å"like an old-stone savage† and thus could be a representation of society which is also rigid in its views, only replies with â€Å"Good fences make good neighbours†.There is a repetition of this statement throughout the poem, which effectively asserts the opinion that society adopts in regards to ‘barriersâ₠¬â„¢ between people: that although people can be close friends, for a successful relationship there will always be a barrier in between them, acting as a boundary that grants privacy and security. Like many of his other poems, Frost once again shows his respect for nature in this poem through his portrayal of it as a sort of body that only wills harmony and friendship among all.He also succeeds in speaking to ordinary people through his exploration of such a universal matter, that impacts upon each human’s life everyday- that of the perpetual metaphorical wall that is present in relationships. In conclusion, â€Å"Stopping by Woods on a Snowy Evening† and â€Å"Mending Wall† are poems that use nature to epitomise what the poet is trying to portray and deal with concepts that have a personal meaning to every single responder. Hence, it can be said that Frost indeed had a deep respect for nature and spoke to ordinary people.

O Brother, Where Art Thou vs. the Odyssey

Essay Time!! In a 5-paragraph essay, describe the similarities between The Odyssey by Homer and O Brother, Where Art Thou? You will use www. turnitin. com to submit these and to do your peer edits. Your essay should follow the following format: Paragraph 1 – Introduction Paragraphs 2 – 4 – Body Paragraphs Paragraph 5 – Conclusion 12 point font Double-spaced It should be at least 500 words. It will be graded using the rubric on the back of this page. You must stick to the following due dates: March 23rd – First draft due March 24 – Peer editing due March 26th – Final draft dueIf you do not have a turnitin account, you need to sign up for one at www. turnitin. com. The registration information you may need is on your Edmodo page. AISE| English Department Writing Rubric| Name: ________________________| Teacher: | | Date Submitted: ____________| Title of Work: ___________________| | | Criteria| Points| | | 0-1| 2-3| 4-5| Â  | Ideas| The p aper has no clear sense of purpose or central theme. To extract meaning from the text, the reader must make inferences based on sketchy or missing details. | The writer is beginning to define the topic, even though development is still basic or general.Support is attempted but doesn’t go far enough. Ideas may not be detailed or accurate. | This paper is clear and focused. It holds the reader’s attention. Relevant details enrich the central theme. The topic is narrow and manageable. Details support the main ideas. | ______| Organization| The writing lacks a clear sense of direction. Ideas, details, or events seem strung together in a loose or random fashion; there is no identifiable internal structure. | The organizational structure is strong enough to move the reader through the text without too much confusion. The paper has a recognizable introduction and conclusion.Transitions are used but not effectively. | The organization enhances and showcases the central idea or theme. The order, structure, or presentation of information is compelling and moves the reader through the text. | ______| Voice| The writer seems indifferent to the topic and the content. The writing lacks purpose and audience engagement. | The writer seems sincere but not fully engaged or involved. The result is pleasant or even personable, but not compelling. | The writer connects strongly with the audience in a way that is individual, compelling, and engaging.The writer crafts the writing with an awareness and respect for the audience and the purpose of the writing. | ______| Word Choice| The writer demonstrates a limited vocabulary or has not searched for words to convey specific meaning. | The language is functional, even if it lacks much energy. It is easy to figure out the writer’s meaning on a general level. | Words convey the intended message in a precise, interesting, and natural way. The words are powerful and engaging. | ______| Sentence Fluency| The reader has to practice quite a bit in order to give this paper a fair interpretive reading.Sentences are choppy, incomplete, rambling or awkward. Most sentences follow the same sentence pattern. | Sentences get the job done in a routine fashion but tend to be more mechanical than fluid. Sentences are usually correct. Some sentence pattern variety is attempted. | The writing has an easy flow, rhythm, and cadence. Sentences are well built with strong and varied structure. Creative and appropriate connectives are used between sentences. | ______| Â  Conventions| Â  Errors in spelling, punctuation, capitalization, usage, and grammar and/or paragraphing repeatedly distract the reader and make the text difficult to read. The writer shows reasonable control over a limited range of standard writing conventions. Conventions are sometimes handled well and enhance readability; at other times, errors are distracting and impair readability. | The writer demonstrates a good grasp of standard writing conve ntions (spelling, punctuation, capitalization, grammar, usage, paragraphing) and uses conventions effectively to enhance readability. | ______| Presentation(format, spacing, font size or consistency, title, page numbers, bullets, etc. | The reader receives a garbled message due to problems relating to presentation of the text. Visuals do not support or illustrate the ideas in the text. | The writer’s message is understandable because presentation is effective. An attempt is made to integrate visuals and the text although connections may be limited. | The form and presentation of the text enhances the ability for the reader to understand and connect with the message. It is pleasing to the eye. There is effective integration of text and visuals. | _______| | | Teacher Comments|

Explanation of Richard Dyers Model for Analyzing Star Image Essay

Explanation of Richard Dyers Model for Analyzing Star Image - Essay Example Dyer explains that stars are images and not actual people. As images, every star should represent a particular ideology. The success of a star arises from his ability to represent such ideologies both consistently and effectively. This way, the audience develops a unique perception of the star a feature that influences their consumption of successive films starring every star (Being & Rutsky, 2001). A star must, therefore, represent particular social values. Successful stars make successful films. However, the success in this context originates from the ability of a director to use a specific star effectively in a manner that makes him or her represent the various social values the audience anticipates from them. Additionally, Dyer explains that the media creates a star out of several materials including adverts, films, magazines and even music videos among others. In order to create a star, all the above media content must present the star in a similar manner thus making such stars represent consistent ideologies. Institutions create celebrities and icons for financial gains. This implies that celebrities sell specific ideological dimensions to their target audience thus earning financial gains for the developers (Allen & Gomery, 1985). People pay billions of dollars to watch films for various reasons key among which is the character staring in a film. Audiences develop divergent views and mindsets about a star. They, therefore, watch a film while investigating the portrayal of the particular star. Such explanations validate the star theory, which defines stars in four key points. The theory explains that stars have capital value, are deviant, constructs and have cultural values. Stars break rules in the society a feature that enhances their ideologies as presented in the films.

Compare and evaluate multiculturalism and assimilation as alternative Essay

Compare and evaluate multiculturalism and assimilation as alternative approaches to dealing with immigrant populations. Use evid - Essay Example The rate of immigration has doubled in the last five decades alone, accounting for the greater proportion of workers in the industrialized nations of the world (Shah, 2008, para. 4). The estimated number of international immigrants represented about three percent of the global total population. Many of these immigrants either came from Asia or Africa, and most of them are undocumented migrant workers using illegal means or channels to gain entry. Half of all immigrants are women; other than the reasons cited earlier, immigrants also choose to leave their own countries due to ethnic persecution (if they belong to a minority), avoidance of military or armed conflicts, and political harassment. A new reason recently cited as driver for increases in immigration is increased globalization, in which their original home countries suffered from open trade policies, making them losers due to greater economic inequality (ibid. para. 8). Some people also immigrate for better educational opportu nities while others do so for a good retirement place in another country, such as a warmer climate and lower costs of living. An improvement in transportation technologies, cheaper travel rates, and shorter travel times have in many ways also contributed to the heightened phenomenon of global immigration today. Discussion The United Nations considers international migration as one of the basic human rights, and the sacred right to freedom of travel and movement is included in its Universal Declaration of Human Rights. Relatedly, basic human rights apply to everybody, whether as an immigrant or not; the U. N. agency charged with carrying out this mandate is the United Nations Educational, Scientific, and Cultural Organization (or UNESCO) to encourage all member states to respect all rights of immigrants at par or level with that of its own native citizens (Ban, 2007, para. 1) and to promote the speedy, orderly, and peaceful integration of migrants to society in general. It is quite i ronic how many Western countries had previously urged Russia and China, in the past decades, to allow their citizens to move freely and migrate if they want to go, but now these Western countries are reluctant to accept more migrants and put up hindrances, controls, or new laws to limit immigration. Admittedly, there are benefits to free immigration such as lower labor costs that help the host country, contribute to cultural diversity of society, enhance mutual understanding, alleviate labor shortages, and increase the talent pool of the nation (Fassi, 2011). Moreover, countries with declining populations also benefit from new people. But on the other hand, some people resist immigrants because of competition for scarce jobs, cultural adulteration or influences, social adjustments, increased demands on social services like health care, policing, sanitation, food, housing, educational facilities, welfare and pension benefits, among others (Sterba 2009). In some European countries, a new element of the drawbacks of immigration has been added, that of cultural conflicts, social intolerance, and religious extremism. Some immigrants resist integration, and prefer ethnic segregation. Precisely due to these existing and other incipient problems related to new immigrants, various countries have tried several approaches towards achieving faster

Construction Safety Coursework Example | Topics and Well Written Essays - 500 words

Construction Safety - Coursework Example OSHA guidelines in many states act as mere guidelines and not the law as construction accidents increase as time goes by. This has caused many states e.g. Massachusetts and Connecticut to have in place stricter guidelines that highly follow OSHA rules or supersede them. Furthermore, these states ensure that the OSHA rules are followed to the letter e.g. the 10 hr-OSHA training (Ireland, 2006). As it has been seen trenching is an area that requires huge attention as fatalities and injuries are alarmingly high. Trenching has many regulations as to safety of the workers but they are hardly followed by construction firms. The case of Robert Harrell in Texas and Martin Samaniego in California are a clear proof of how neglected OSHA guidelines are. Investigations to these cases revealed that little had been done to protect these excavators from caving in or collapsing of the trenches they were working in. These are just but two fatality cases in two dozens reported yearly in the United States. Of importance to note is that more than 1000 cases of collapsed trenches are reported annually with non-fatal injuries (Ireland, 2006). The biggest issue that concerns safety in trench-related constructions is lack of enforcement of laid down regulations or guidelines. It is sad to note that in 2004 inspections in such sites by OSHA officials proved this fact. Around 90 percent of the inspected trench sites had no protective systems in place exposing the workers to immense danger of fatalities or injuries in case of cave-ins or collapse (Ireland, 2006). The remedial action that has been in force for quite a long time is the fining system. This shows that this system has faults or loopholes that are being taken advantage of by the contractors. For this reason some firms e.g. Morrilton and Koontz Electric Co. are known to disregard OSHA rules and enforce stiffer ones in their constructions (Ireland, 2006). Although sloping,